Tiffani Angus
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#2 Be Curious

30/10/2012

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This, of course, follows naturally from #1, Be Observant.

When we're kids, we want to know about everything. A pile of books checkout of the library run the gamut from the Narnia series to a book on lighthouses, to one on cats, to another that explains how to do magic tricks. We're sponges when we're kids. It's all new.

And then, we get sort of full up. We get busy, school gets harder, we have to learn all sorts of stupid little rules about how to get by in life, from how to keep our boss on our side but not kiss her ass, to how to keep our loved ones happy without losing our minds. And then there's retirement planning. We get jobs, and we have to do stuff that's boring or repetitive. And the world just seems so damn sad and tragic and overwhelming. Turn on the tv, you get caught up in the most recent war and disappeared kid and abuse and inequality. You lose the urge to find cool stuff out because, somehow, all of the cool stuff is buried under shit, and you have enough shit in your life to deal with. You can't bear the thought of adding any more to it.

You can't be a writer if you're not curious. Otherwise, you'll end up writing about your own life, and what's the fun in that? We already live our lives, and everyone else lives theirs. Navel gazing is for amateurs.

(This isn't to say that using stuff from your life isn't good when writing. 'Stuff' as in the feelings of panic and heartbreak and frustration and joy and wonder, the themes of relationships and family and work...just not, you know, autobiographically. No one, really, wants to hear me go on about my lousy little life. If something amazeballs has happened to you, write notes on it, keep it in a notebook, and write a memoir one day. Otherwise, just keep the rest of your stuff in the vault. You'll grow as a writer with practice and one day learn how to use this stuff without it being all David Copperfield/Holden Caulfield-ish.)

Anyway, back to curiosity:

Little kids have the right idea. Learn how to be a sponge again. Ask WHY. Ask HOW. Ask WHERE. Turn off your phone, put it back in your pocket, and come up with an explanation for WHY that lady on the train is putting on her make-up now, for WHY the old dude sitting near the window has a skateboard in his bag. Ask HOW people first figured out how to bake bread, or HOW to make plastic, or HOW to rig a 17th century galleon. Ask WHERE that family of four--all dressed in winter coats & hauling luggage--is going on a warm September day. If you're not curious about the world around you, you're going to end up on the carousel that's inside your own head, going round and round and looking at the very same scenery.

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#1: Be Observant

23/10/2012

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Picture
I've been teaching this term--first years, new writers. It's a 'non-fiction' writing class, but that doesn't mean that it isn't creative or that they (and I) can't and won't learn something about writing fiction from the class.

Often, teaching these classes is more about teaching new students how to be students and less about teaching them the subject of the course. So I'm thinking a lot (or, as much time as I have to spare) about general writing ... not rules necessarily...guidelines maybe? ideas? big thoughts? This has led me to a list of 5 things to keep in mind.

#1: Be Observant.

Too many of us slide through life, looking down at our phones or e-readers or computer screens and not up at the people around us, the changing seasons, the weather, that car cutting that corner a bit too tightly and too fast. Life happens up. And it's only when you take a moment to pay attention that you are able to store away the overheard conversation, the true color of October leaves, the sugary taste of the candy bar you just crammed in your pie hole, the the smell of the dog crap you nearly stepped in (life has its icky moments...and I nearly did this when I was walking along paying too much attention to texting. Trust your sense of smell. It'll save your shoes one day!).

Being observant means storing these things up for later when you're writing and realize that your characters are blahblahblahing but not existing in the world you are trying to create for them. The world might be colorful and bright in your head, but is it going to work the same way for your reader?

Being observant also means that you're more open to the possibilities, to inspiration taking hold. This is better than sitting down to a blank screen and realizing that your mind is blank as well.

The more you observe and see, hear, taste, feel, and smell around you, the more you'll have in the writing coffers for later. Plus, being observant means that you're in the moment, paying attention, on track, and, well, just more with it.


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    Tiffani Angus

    Mostly thoughts on writing and the creative life.

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